Home Arrow Icon Knowledge base Arrow Icon Global Arrow Icon How does the color accuracy of ProRes 4444 compare to ProRes 422 on the iPad Pro


How does the color accuracy of ProRes 4444 compare to ProRes 422 on the iPad Pro


When comparing the color accuracy of ProRes 4444 and ProRes 422 on devices like the iPad Pro, it's essential to understand the fundamental differences between these two codecs.

**ProRes 422 uses a 4:2:2 color sampling ratio, which means for every four pixels of brightness information, there are two pixels of color information. This codec supports up to 10-bit color depth, providing a significant number of colors and smooth transitions between them. It is widely used in professional video production due to its balance between quality and file size[1][4].

On the other hand, ProRes 4444 employs a 4:4:4 color sampling ratio, where every four pixels of brightness information have four pixels of color information. This results in superior color accuracy and supports up to 12-bit color depth, offering even more colors and smoother transitions. Additionally, ProRes 4444 includes support for an alpha channel, which is crucial for visual effects and compositing[1][3].

In terms of color accuracy, ProRes 4444 provides better performance due to its higher color sampling ratio and deeper bit depth. This makes it ideal for applications requiring precise color control, such as high-end visual effects and color grading[1][3]. However, for most documentary footage or general video editing, ProRes 422 might be sufficient, especially if the source material is not captured at a higher color depth or sampling ratio[2].

The iPad Pro, with its Ultra Retina XDR display supporting Wide Color (P3), can display a wide range of colors, making it suitable for viewing both ProRes 422 and ProRes 4444 content. However, the actual color accuracy perceived on the iPad Pro would depend on the specific content and how it was mastered. If the content was mastered in ProRes 4444, the iPad Pro would display it with higher color fidelity compared to content mastered in ProRes 422[10].

In summary, while the iPad Pro can display both formats well, ProRes 4444 offers superior color accuracy and is better suited for applications requiring precise color control and alpha channel support. For general video editing or when working with lower-resolution source material, ProRes 422 might be adequate.

Citations:
[1] https://repairit.wondershare.com/video-repair/apple-prores-422-vs-4444.html
[2] https://www.reddit.com/r/colorists/comments/tulig8/is_there_any_real_benefit_to_prores_4444_over_422/
[3] https://repairit.wondershare.com/video-repair/apple-prores-4444-xq.html
[4] http://www.lafcpug.org/phorum/read.php?1%2C257102%2C257113
[5] https://nofilmschool.com/2014/06/apple-new-prores-4444-xq-codec-final-cut-x-10-1-2
[6] https://community.adobe.com/t5/premiere-pro-discussions/extreme-perfomance-difference-between-prores-422-and-prores-4444/m-p/13058326
[7] https://www.apple.com/final-cut-pro/docs/Apple_ProRes.pdf
[8] https://www.displaymate.com/iPad_Pro9_ShootOut_1.htm
[9] https://support.apple.com/en-us/102207
[10] https://www.apple.com/ipad-pro/specs/